Canberraโs only dance class for deaf people has smashed the stereotypical construct that you need music to dance โ music comes from within.
Deaf Butterflies โ DeafACT is an exceptional dance class, where students turn conventional dance on its head and move their bodies to make music, not unlike a musician playing an instrument to create music.
Whether itโs being still, or doing continuous movement, or through vibration, this class makes beautiful music under the guidance of their dance teacher, Debora Di Centa, and Auslan interpreter, Sheree Murray.
โHuman movement and rhythm – the energy of the body – builds a level of expression and meaning,โ Debora said. โWe can play with the body we have, it doesnโt matter if youโre young or old or disabled, because we went beyond that. We transmit something through the presence of the body in space.โ
Every Friday the group meets at Belconnen Arts Centre, possessing skills that some professional dancers might envy โ heightened visual and tactile senses and an acute connection to their bodies.
The class only uses music to enable the teacher to establish rhythm. When we caught up for a chat, we warmed up with a pliรฉ and some other gentle ballet positions.
Standing in a circle are deaf couple Vera and Max Hall, Helen Trendos, Vikki McDonough, Greg Ophel, and Warren Love. Regulars Christine Yerbury and Belinda Dawson couldnโt make it today and they were missed.
Warren, whoโs also a great mime artist, said the class was โjust wonderfulโ.
โWhen weโve had the drumming classes and were able to feell the vibrations, weโre all deaf but we can feel the vibrations and feel that movement and energy,โ Warren said. โItโs really good for deaf people, it gives some exposure to music and that sense of sound, even if we canโt necessarily hear it.โ
The African drumming was taught by a guest artist and allowed the students to feel the music through the vibrations in the floor, through their feet. The class also practiced marching.
โWe know the timing but the dancers donโt, so they are trained to follow us and theyโre coordination is very high,โ Debora said. โIt looks as though they are hearing the music, but they are not. That is the magic.โ
Debora is much more than a dance teacher, she is also a choreologist (the literacy or notation of dance and movement) and studied at the London Conservatorium of Music and Dance.
โI can describe and analyse movement as you could do with music,โ Debora said. โThis knowledge helps a lot because the classโs embodiment is very high-quality so I can push them to try and control the movement even further, like professional dancers.โ
Dance student Vera said she always looked forward to coming and felt lucky to have the opportunity. Her husband, Max, doesnโt mind a bit of rap dancing. Helen said she loved drumming because โyouโre feeling it and also watching itโ.
โAs youโre dancing you feel that percussive element,โ Helen said. โYou feel it though your body. Weโre copying while weโre dancing and weโre used to relying on our eyes to see whatโs going on, this is how weโve grown up. The teachers are following the music but we can sense that rhythm.โ
Class-mate Greg said he felt the music inside of him.
โYou feel that connection with it, thereโs music in your spriit,โ Greg said. โItโs an energy, you feel the music with your mind and your thoughts. Youโre in tune with it.โ
Vikki said Deaf Butterflies was her first connection with the deaf community.
โIโve been deaf all my life but Iโve never been connected to the deaf community and it was only thought NDIS that I started to connect more,โ Vikki said. โThese people are my connection …Theyโre great to hang out with. I enjoy myself immensely. I get a chance to explore a side of myself that I havenโt before.โ
Debora said that even without music, the class could still enjoy the movement and expression that comes from embodying gestures. As an Italian, Debora is accustomed to gesticulating.
โWe donโt need music,โ she said. โYour body has rhythm and music inside you. With your movement, you create the sound.โ
Deaf Butterflies started in 2017 and is funded by DeafACT. For more information visit deafact.org.au